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Showing posts from May, 2016

Little paintings

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LA-based painter Nate Frizzell and I share something in common: last year saw our introduction to murals — him making it and me seeing (not looking at) it. The experience was courtesy of LeBasse Projects, Honeycomb Communities and Bonifacio Arts Foundation, Inc., who initiated the ArtBGC Mural Festival.

To me, creating murals is putting life to an otherwise dull wall, adding any form of emotion to the cold concrete that makes a city. If they should say anything more that, I have no idea. And neither do Nate. “I worry about that,” he replied when I asked what makes a mural work — if it should suit its environment and if it should leave comment. “If there were more time, I’d love to shoot local kids running and playing in the city, so that I’d have that kind of reference. But other than that, I think it’s good to have something completely outside of the area. If this keeps going, if the city gets covered with more art from around the world, it’s going to be amazing in the next few years…

I made a mixtape

To remember the weekend we met.

Election season realizations

I'm not the only one who has indescribable feelings that should but could not be suppressed and, in other circumstances, should be expressed but are suppressed.I'm not alone in my weirdness and internal wildness.Test a relationship by talking about politics.It's not people's choices but the logic behind their choices that's unpalatable and, to a certain degree, appalling.There are no heroes and villains, only people with good intentions, strong beliefs, and money.You have a voice.You listen selectively.'Who's your president?' is a personal question. Don't ask this to a stranger, at a party.

Deeper the second time around

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My new — newfound to be exact and I shall explain later — musical obsession is Hurts.

I miss the way I discovered their music: radio's on, songs play in the background, my mind, elsewhere when a sweet passage jumped out and called my attention.

I can't remember though if it was the chorus or the verses that made me stop what I was doing to figure out the words being sung, that I may commit it to memory and later on research the lyrics, title and artist, in case the DJ wouldn't say it.

No, it was the verses. The almost glacially slow-rap by which the singer tells an intriguing story about some girl named Susie. —And it was the percussions. The song was Wonderful Life, the artist was Hurts.



Bought the album, listened to it, didn't buy the rest of the tracks.

What year this was, I forgot.

But there definitely was no Instagram yet at the time (or I haven't been on it yet), because it was through this medium that I rediscovered Hurts. I stumbled upon Theo Hutchcraft'…

Sexy 3

You're so sexy, and I'm not just talking about your brain.